Ir al contenido

Archivo:The lake of Tiberias, looking towards Hermon. David Roberts. 1855.jpg

Contenido de la página no disponible en otros idiomas.
De Wikipedia, la enciclopedia libre

Ver la imagen en su resolución original(2420 × 1603 píxeles; tamaño de archivo: 510 kB; tipo MIME: image/jpeg)

Resumen

Artista
David Roberts  (1796–1864)  wikidata:Q369776 q:it:David Roberts
 
David Roberts
Nombres alternativos
D. Roberts
Descripción pintor escocés
Fecha de nacimiento/muerte 24 de octubre de 1796 Ver y modificar los datos en Wikidata 25 de noviembre de 1864 Ver y modificar los datos en Wikidata
Lugar de nacimiento/muerte Stockbridge, Edinburgh Londres
Lugar de trabajo
Control de autoridades
artist QS:P170,Q369776
Descripción
The lake of Tiberias, looking towards Hermon
English: The ancient City of Tiberias, built by Herod Antipas, and named in honour of

his patron, the Emperor Tiberius, has long since perished. With the mixture of violence and policy which characterised the Oriental governments, Herod compelled a population from the surrounding provinces to fill his City ; adorned it with structures, of which the very fragments are stately ; gave it peculiar privileges ; and building a palace which was one of the wonders of the land, declared Tiberias the capital of Galilee. 1 The ruins in the Sketch are those of the modern City prostrated by the earthquake.

The view commands various sites, memorable from their connexion with Scripture. On the West coast lies El-Medgel, the site of Magdala, the City of Mary Magdalene ; Capernaum, Chorazin, and Bethsaida, once lay on the same coast; and in the vicinity, more to the South, was the City of Tarichaea. On the East coast was the scene of the great miracle, the feeding of the four thousand ; and in the horizon is the majestic Hermon, 10,000 feet above the Mediterranean.

The Rabbins held that the former City stood on the site of Rakkath, while Jerome records a tradition that it was once Chinnereth; 5 but, leaving those laborious triflings to their natural obscurity, it is evident that the original Tiberias occupied a site farther to the north. There the ground is still strewed with fragments of noble architecture, — baths, temples, and perhaps theatres ; giving fidl proof of a Capital raised with the lavish grandeur of a Herodian City. In the great, final war, which extinguished Judali as a nation, and commenced the longest calamity of the most illustrious and unhappy race of mankind, Tiberias escaped the general destruction. Submitting to the authority of Vespasian, without waiting to be subdued by his arms, the City retained its population, and, probably, its privileges. In the national havoc, it even acquired the additional wealth and honours of a City of Refuge. It had a coinage of its own, exhibiting the effigies of several of the Emperors, down to Antoninus Pius. It appears to have peculiarly attracted Imperial notice, for Hadrian, though pressed with the cares of the Roman world, commenced the rebuilding of a temple, or palace, which had been burnt in an insurrection.

But the history of this beautiful City has a still higher claim on human recollection, as the last retreat of Jewish literature. On the fall of Jerusalem, and the final expulsion of the Jews from the central province, the chief surviving portion of the state, the rank, the wealth, and the learning, were suffered to take shelter within the walls of Tiberias. In the second century, a Sanhedrim was formed there, and the broken people made their last attempt to form a semblance of established government,

The two great Hebraists, Buxtorf and Lightfoot, have given the history of the School of Tiberias, more interesting than the details of massacre, or the description of ruins. The protection of the City drew the principal scholars from the cells and mountains where they had concealed themselves from the habitual severities of Rome.

Under the presidency of Rabbi Judah Hakkodesh the School flourished, and acquired the acknowledged title of the Capital of Jewish learning. The first natural enterprise of such a School was the collection of the ancient interpretations and traditions of the Law ; and those were embodied by Rabbi Judab in the Mishna (about a.d. 220). In the third century, Rabbi Jocbanan compiled the Gemara, a supplement to the Mishna (about a.d. 270), now known as the Jerusalem Talmud. In the sixth century, the Babylonian Jews also compiled a Gemara, named the Talmud of Babylon, now more esteemed by the Jews. But the School of Tiberias is said also to have produced the Masora, or Canon for preserving the purity of the text in the Old Testament, — a labour whose value, however the subject of controversy, is admitted to be incontrovertible.

The civil history of Tiberias is the common recapitulation of Eastern sieges and slaughters. Fortified by Justinian, it fell successively into the hands of the Saracens, the Crusaders, Saladin, the Syrians, 1 and the Turks. The French invasion brought Tiberias into European notice once more (a.d. 1799). On their retreat it sank into its old obscurity, and must wait another change, of good or evil fortune, to be

known.
Fecha 1855 (Originally from 1842}
Fuente/fotógrafo The Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia (1855)

Licencia

Esta es una reproducción fotográfica fiel de una obra de arte bidimensional de dominio público. La obra de arte misma se halla en el dominio público por el motivo siguiente:
Public domain

Este material está en dominio público en los demás países donde el derecho de autor se extiende por 100 años (o menos) tras la muerte del autor.


Esta obra está en el dominio público en los Estados Unidos porque fue publicada (o registrada con la Oficina del Derecho de Autor de los E.E. U.U.) antes del 1 de enero de 1929.

La postura oficial de la Fundación Wikimedia considera que «las reproducciones fieles de obras de arte bidimensionales de dominio público forman parte del dominio público».
Esta reproducción fotográfica, por ende, también se considera de dominio público dentro de los Estados Unidos. Es posible que otras jurisdicciones restrinjan la reutilización de este contenido; consúltese Reutilización de fotografías PD-Art (en inglés) para más detalles.

Leyendas

Añade una explicación corta acerca de lo que representa este archivo
Tiberias, looking towards Hermon. Coloured lithograph by Louis Haghe after David Roberts, 1842.

Elementos representados en este archivo

representa a

image/jpeg

Historial del archivo

Haz clic sobre una fecha y hora para ver el archivo tal como apareció en ese momento.

Fecha y horaMiniaturaDimensionesUsuarioComentario
actual07:51 13 nov 2014Miniatura de la versión del 07:51 13 nov 20142420 × 1603 (510 kB)Geageacrop
07:34 13 nov 2014Miniatura de la versión del 07:34 13 nov 20142621 × 1889 (471 kB)Geagea== {{int:filedesc}} == {{Information |Description={{title|The lake of Tiberias, looking towards Hermon}} {{en|1=The ancient City of Tiberias, built by Herod Antipas, and named in honour of his patron, the Emperor Tiberius, has long since perished. Wit...

La siguiente página usa este archivo:

Uso global del archivo